This is something I’ve had open in a browser tab for months, and I’m sure it’s officially ‘old’ in internet parlance, but I’m still drawing inspiration from the images. Christian Annyas has isolated (and traced?) these old department store logos…

Wacom have (finally) started sending out orders of their new product, the Inkling. I got mine the other day and I’ve been having a good play with it. It’s very good. Not perfect, but very good. The announcement video set…

A bit of a campaigning post, this one. The International Printing Museum is running a Kickstarter campaign to expand their collection of matrices for the Ludlow Typograph. It’s a worthy project, to keep an example of fairly democratic technology in…

I was taken by this collection of Chevy speedometer designs brought together by Christian Annyas. As I’m always a passenger (I don’t drive) I’ve had plenty of time to study the details of the dashboard and to note the little…

The Guardian now has an iPad app. Previously if you wanted to read Guardian content on an iPad you could read the website, use the iPhone app or attempt the Digital Edition. I used to subscribe to the Digital Edition,…

I’ve never seen one of these before, and I’ve never even heard of such a thing. A typewriter for music! I must admit it does seem like an obvious idea, but I’d had in mind the scene of a composer…

So yes, I’ve been away from the site for, er, way too long. To say, “I’ve been busy” would be a cop-out. I’ve been busy on a few personal projects that have taken up most of my ‘spare’ time and…

OK, nothing to do with type or lettering, but I do like to post a bit of illustration from time to time. This caught my eye yesterday on this isn’t happiness, an illustration by Liam Brazier. He’s done a load…

Somewhat late to the party mentioning this, but a couple of weeks ago I was at Ampersand Conference here in Brighton. It’s the first conference specifically on web typography, and so naturally a lot of the talks were quite technical,…

Another thing I marked as “to look at later”, merely because of the big beautiful lettering. I was wondering what on earth it was all about and only managed to find a few pictures of it from this year’s Macworld…

I’ve been buried in bezier-land for the past few weeks these chairs by Suzy Lelièvre, though they’re not type, illustration or lettering, appeal to my appreciation of curves; a physical world instance of beziers. They look like what you get…

The cover of this caught my eye the other day, partly for the design but mainly for the deliberate misspelling. It’s a nice looking thing, and the design follows through the inside of the book too. I like the Wodehouse…

As I catch up with things I’ve marked to ‘look at later’, I see a recent post on Graphic Exchange about the new identity for Mad Brew Productions, by Adam Hill. It’s not really a type related thing but I’m…

I’ve seen this video by Naomi Ross linked a few times on various sites and on Twitter, but have only just got around to watching it. It’s a beautifully filmed and edited short video showing the process of creating a…

I nearly missed this. One of the Matts at Bearded Design (I’m guessing Matt Griffin) emailed to tell me about their Kickstarter project, which is to create new digital type from wood types - rare wood types. Digitisation of old…

Thematically related to the previous post (i.e., being about illustration) is this beautiful piece of work, a linocut by Hubert Tereszkiewicz. He’s got a couple of pieces of linocut work on his site, and the detail and quality of them…

I’ve been sent a book by Thames & Hudson that I think is worth putting on here. The (slightly contentious) title is Scripts: Elegant Lettering from Design’s Golden Age*, and shows the collection by the authors, Steven Heller and Louise…

I just read this well-written and clearly-argued piece by Stephen Few on the work of David McCandless. It expresses many of the thoughts I’ve had on the kind of ‘popular infographic’ going round, though I wouldn’t restrict my criticism to…

Another serendipitous find, this time via Font Bureau on Twitter. The linked image, of a piece by Micah Lexier and Christian Bok, got me looking for some background on it, and more info on the artist himself, and through that…